Emily Barnes 2017-11-22 05:03:54
GET ON YOUR FEET - FASHION TAPPING TO A NEW BEATI SLIP ON YOU DANCING SHOES, THIS SESASON'S THE ATRICAL DESIGNS ARE SPINNING STRAIGHT TO THE SILVER SCREEN. SWING TO THIS This page: Jacket, sweater, pant, and shoe, Salvatore Ferragamo. Opposite page: Stella McCartney blazer and Wolford tight, Neiman Marcus. “YOU DANCE LOVE, AND YOU DANCE JOY, AND YOU DANCE DREAMS. AND I KNOW IF I CAN MAKE YOU SMILE BY JUMPING OVER A COUPLE OF COUCHES OR RUNNING THROUGH A RAINSTORM, THEN I'LL BE VERY GLAD TO BE A SONG AND DANCE MAN.” — GENE KELLY SPOTLIGHT ON SHINE This page: On her, dress, Burberry. On him, trench, shirt, and trouser, Burberry. Bally high-top, Neiman Marcus. Opposite page: Dress, Prada. Shoe, Jimmy Choo. Earring, David Yurman. WELL CHOREOGRAPHED This page: On her, jacket and skirt, Brooks Brothers. Stuart Weitzman boot, Neiman Marcus and Bloomingdale’s. Bracelet and earring, Tiffany & Co. On him, sweater, trouser, shirt, and bow tie, Brooks Brothers. Buscemi high-top, Neiman Marcus. Opposite page: Windbreaker, chino, and shoe, Gucci. “I HAVE TO BE A STAR LIKE ANOTHER MAN HAS TO BREATHE.” – SAMMY DAVIS JR. BLUE STREAK This page: Polo and pleated skirt, Lacoste. Ace sneaker, Gucci. Opposite page: Narvik sport coat, polo, and jean, BOSS Store. STOP MOTION This page: Jacket, flared pant, and ankle boot, Louis Vuitton. Opposite page: Jacket and T-shirt, Versace. Jean, 7 For All Mankind. Bracelet, David Yurman. “DARLING, DON'T EVER BE TOO SHY TO DANCE YOUR HEART OUT.” —AUDREY HEPBURN STARS OF THE SHOW This page: Jacket, sweatshirt, trouser, and high-top, Coach. Opposite page: Dress with necktie, high-top, and crossbody handbag, Coach. Earring, Tiffany & Co. Wolford Pyramid tight, Neiman Marcus. DRAMATIC PAUSE This page: Dolce & Gabbana dress, Neiman Marcus. Heel, Jimmy Choo. Ring, David Yurman. Opposite page: Jacket, chino, and polo, Lacoste. Sneaker boot, Louis Vuitton. Shinola watch, Neiman Marcus and Bloomingdale's. “FOR THE RECORD, THE IDEA THAT SINGING AND DANCING IS NOT MASCULINE IS ABOUT THE CRAZIEST THOUGHT I’VE EVER HEARD IN MY ENTIRE LIFE.” – HUGH JACKMAN CUE THE COLOR This page: Dress and coat, kate spade new york. Stuart Weitzman boot and Shinola watch, Neiman Marcus and Bloomingdale’s. Opposite page: Giorgio Armani jacket, pant, hat and shoe, Neiman Marcus. Ring, David Yurman. TWO TO TANGO This page: Dress and shoe, Versace. Necklace, Mayors Jewelers. Opposite page: Jacket, shirt, bow tie, and trouser, Emporio Armani. Shoe, Burberry. “I BELIEVE IN DRESSING FOR THE OCCASION. THERE’S A TIME FOR SWEATER, SNEAKERS, AND LEVI’S AND A TIME FOR THE FULL-DRESS JAZZ.” — GINGER ROGERS SPECIAL EFFECTS This page: Dress, Versace. Balenciaga bootie, Neiman Marcus. Earring, David Yurman. Opposite page: Givenchy blazer and trouser and Manolo Blahnik pump, Neiman Marcus. TECHNICOLOR DREAMS This page: Dress and boot, Salvatore Ferragamo. Cuff and earring, Mayors Jewelers. Opposite page: Shirt and pant, 7 For All Mankind. Loafer, Gucci. Bracelet, David Yurman. DOUBLE FEATURE This page: Blouse, skirt, and pump, Tory Burch. Opposite page: Jacket, sweater, jean, and boot, Louis Vuitton. Watch, Rolex Boutique. “TALENT ALONE WON'T MAKE YOU A SUCCESS. NEITHER WILL BEING IN THE RIGHT PLACE AT THE RIGHT TIME, UNLESS YOU ARE READY. THE MOST IMPORTANT QUESTION IS, ‘ARE YOU READY?’ ” —JOHNNY CARSON THE TIFFANY & CO. PEARLS Audrey Hepburn in Breakfast at Tiffany’s ONE WOULD BE HARD-PRESSED TO CONJURE UP A MORE RECOGNIZABLE CINEMATIC STYLE MOMENT than Audrey Hepburn in her black dress and Tiffany pearls. 1961’s Breakfast at Tiffany’s is one of Hollywood’s most beloved works. The dress was its own character, appearing throughout much of the film as a way for Hepburn’s Holly Golightly to cheer herself up — embracing the power that clothes can have. Famed creative director Freddie Leiba has spoken about the outfit’s legacy, pointing out that a black dress can be the simplest, yet most classic piece one can wear, immediately transformed for any occasion by accessories. That’s just what Holly’s Tiffany & Co. Necklace did for her dress. In his book, Audrey Hepburn: An Elegant Spirit, her son Sean Hepburn Ferrer writes that his mother wasn’t a trendsetter. Instead, she embraced the fashion of the time and knew exactly what designs would work for her. She recruited close friend and regular wardrobedesign partner Hubert de Givenchy to create Holly’s dress; the film’s costumer, Edith Head, reworked the bottom when it showed too much leg. Draped strands of Tiffany pearls were added for the opening scene, and the rest is history — including Tiffany's enduring influence. Celebrating its 180th anniversary this year, the world-renowned jeweler continues to create designs that transcend trends — and time. “I’M JUST CRAZY ABOUT TIFFANY’S.” — HOLLY GOLIGHTLY (AUDREY HEPBURN) IN BREAKFAST AT TIFFANY’S
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