AVN Feb 2009 : Page 77The Color of Money Performer Julius Ceazher often plays the role of “intimidating, big- dick, black guy” for studios such as Kick Ass Pictures (Inseminated by 2 Black Men), Lethal Hardcore (Dark Meat Lovers), and Hundies (Black Cocks Tiny Teens). The 28-year-old cock-slinger believes stereotypes are offensive but “provide the spice in interracial sex.” “Whatever stereotypes are out in the real world—black guys have big cocks, are dirty, call their women bitches—should be depicted on camera in order for projects to feel realistic,”he says. Ceazher says he understands why studios produce exploitive black-on-white titles and doesn’t believe the reason is racism. “If someone tells a funny black joke, I’m going to laugh,”he says. “Doesn’t mean the person telling the joke is racist. Someone who puts out a racially insensitive title could be viewed as a capitalist. A large part of American society still believes and bolsters these racial stereotypes. This is a business.Why not pay attention to demographics? I’m not saying it’s a nice thing to see in a video store; I’m saying somebody is buying it.” “All of porn reflects a fantasy, and adult consumers buy titles with this in mind,” says Alexandra H., public relations manager for distribution giant IVD. “I would say a good portion of the titles we distribute have interracial themes, given that the market shows these sales are strong. We always make sure we stock up on the titles store buyers want—what we know consumers are buying.” Debra Peterson, director of marketing for Florida retail chain Fairvilla Megastore, says that interracial movies with provocative titles perform better than average at her stores. “The funnier or more outrageous the title is, the more those videos appeal to a specific group of people,”she says. “Some customers want to see studios push the limits of hardcore sex and that’s what these titles exemplify.” According to Fairvilla’s in-house r 75 percent of interracial porn is c men; white males tend to rent in than purchase. Despite its success with inc titles, Fairvilla did remove ILoveJ from its shelves. “We got the same reaction when w released Blackzilla,”says Hush Hush Entertainment CEO Andrew S., who produces My Daughter is Fucking Blackzilla, Shane Diesel The Abominable Black Man, and I Love Jerking Off Ni**gers. “But, for us, it was all a part of making fun of racism and I think most people got that. You have to bust out from the crowd, especially now with the decline of DVD sales, free tube sites, and the worse economy in 80 years.” “Personally, I would stock I Love Jerking Off Ni**ers. But, my company won’t allow it,” says Matt Weir, DVD buyer for Déjà Vu’s Adult Emporium in Las Vegas. According to Weir, the interracial titles at his store are most popular with white males and the few couples that “enjoy seeing a big, black cock splitting a tiny teen in two.” Weir stresses, however, that “when I buy for my store, I don’t really pay as much attention to the title as I do the studio. Hush Hush, JM, Voyeur all put out quality stuff. The title can only do so much.” As for Taboo’s Allison Miller, selling racially insensitive titles is not a big deal. She says, “I’d carry a movie with ‘nigger’ in the title …as long as the ‘nigger’ in question is enjoying himself.” Blackzilla vs. Lex the Impaler In 2005, Shane Diesel approached Hush Hush’s Andrew S. with an idea for a sensational new website: My Daughter is Fucking a Nigga. Online billing issues hindered the project, but the seeds to grow one of the most successful and influential interracial brands were planted. My Daughter is Fucking Blackzilla and My Hot Wife is Fucking Blackzilla catapulted Hush Hush to the forefront of the interracial market and made Diesel a bankable star. The duo parted in 2008, but Diesel continues to destroy tiny white girls for Digital Sin in S.O.S: Stretched Out Snatch and I Can’t Believe I Took the Whole Thing. “We played with a lot of different taboos in Blackzilla,” recalls she’s never done a black guy before’and dad is gonna get mad.’ It made it enjoyable e Color of Money Performer Julius Ceazher often plays the role of “intimidating, big- dick, black guy” for studios such as Kick Ass Pictures (Inseminated by 2 Black Men), Lethal Hardcore (Dark Meat Lovers), and Hundies (Black Cocks Tiny Teens). The 28-year-old cock-slinger believes stereotypes are offensive but “provide the spice in interracial sex.” “Whatever stereotypes are out in the real world—black guys have big cocks, are dirty, call their women bitches—should be depicted on camera in order for projects to feel realistic,”he says. Ceazher says he understands why studios produce exploitive black-on-white titles and doesn’t believe the reason is racism. “If someone tells a funny black joke, I’m going to laugh,”he says. “Doesn’t mean the person telling the joke is racist. Someone who puts out a racially insensitive title could be viewed as a capitalist. A large part of American society still believes and bolsters these racial stereotypes. This is a business.Why not pay attention to demographics? I’m not saying it’s a nice thing to see in a video store; I’m saying somebody is buying it.” “All of porn reflects a fantasy, and adult consumers buy titles with this in mind,” says Alexandra H., public relations manager for distribution giant IVD. “I would say a good portion of the titles we distribute have interracial themes, given that the market shows these sales are strong. We always make sure we stock up on the titles store buyers want—what we know consumers are buying.” Debra Peterson, director of marketing for Florida retail chain Fairvilla Megastore, says that interracial movies with provocative titles perform better than average at her stores. “The funnier or more outrageous the title is, the more those videos appeal to a specific group of people,”she says. “Some customers want to see studios push the limits of hardcore sex and that’s what these titles exemplify.” According to Fairvilla’s in-house r 75 percent of interracial porn is c men; white males tend to rent in than purchase. Despite its success with inc titles, Fairvilla did remove ILoveJ from its shelves. “We got the same reaction when w released Blackzilla,”says Hush Hush Entertainment CEO Andrew S., who produces My Daughter is Fucking Blackzilla, Shane Diesel The Abominable Black Man, and I Love Jerking Off Ni**gers. “But, for us, it was all a part of making fun of racism and I think most people got that. You have to bust out from the crowd, especially now with the decline of DVD sales, free tube sites, and the worse economy in 80 years.” “Personally, I would stock I Love Jerking Off Ni**ers. But, my company won’t allow it,” says Matt Weir, DVD buyer for Déjà Vu’s Adult Emporium in Las Vegas. According to Weir, the interracial titles at his store are most popular with white males and the few couples that “enjoy seeing a big, black cock splitting a tiny teen in two.” Weir stresses, however, that “when I buy for my store, I don’t really pay as much attention to the title as I do the studio. Hush Hush, JM, Voyeur all put out quality stuff. The title can only do so much.” As for Taboo’s Allison Miller, selling racially insensitive titles is not a big deal. She says, “I’d carry a movie with ‘nigger’ in the title …as long as the ‘nigger’ in question is enjoying himself.” Blackzilla vs. Lex the Impaler In 2005, Shane Diesel approached Hush Hush’s Andrew S. with an idea for a sensational new website: My Daughter is Fucking a Nigga. Online billing issues hindered the project, but the seeds to grow one of the most successful and influential interracial brands were planted. My Daughter is Fucking Blackzilla and My Hot Wife is Fucking Blackzilla catapulted Hush Hush to the forefront of the interracial market and made Diesel a bankable star. The duo parted in 2008, but Diesel continues to destroy tiny white girls for Digital Sin in S.O.S: Stretched Out Snatch and I Can’t Believe I Took the Whole Thing. “We played with a lot of different taboos in Blackzilla,” recalls she’s never done a black guy before’and dad is gonna get mad.’ It made it enjoyable ed ed Diesel an unexpected group of fans. “I did a ensations in Ohio and a group of young, s with swastikas on their arms asked me to sign or them because they liked my movies,”he laughs. “When I first started the whole Blackzilla thing, I had many white men from the South who wereracist tell me they loved it. I have discovered that Lexington Steele Jack Napier (Continued on page 78) AVN FEBRUARY ‘09 | ON THE COVER | 77 Publication List |
